Yes, I know it's true, except I come to like a lot of them. I *like* the lady in the wheelchair, even though each time I see the movie again I'm a little taken aback by just how rude she is, at first. I don't know, maybe it's because there seems to be an order to their awfulness? The Europe he goes through does feel very European, in that way, even if it's fake - it feels ruled by an order that goes so far back it doesn't belong to anyone personally. That mansion they end up in at the climax doesn't feel like it belongs to anyone personally, it seems like a house to make a movie in, and here we all are.
I'm sad every time he comes to and that room is on fire, and the cello - isn't it? - is in the pond. The cello shouldn't be in the pond. We should be able to bring in sack lunches and research the Devil's book forever.
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timeasmymeasure
Procrastination has robbed me of argument, I'm just maundering.
Date: 2009-06-04 02:55 am (UTC)Yes, I know it's true, except I come to like a lot of them. I *like* the lady in the wheelchair, even though each time I see the movie again I'm a little taken aback by just how rude she is, at first. I don't know, maybe it's because there seems to be an order to their awfulness? The Europe he goes through does feel very European, in that way, even if it's fake - it feels ruled by an order that goes so far back it doesn't belong to anyone personally. That mansion they end up in at the climax doesn't feel like it belongs to anyone personally, it seems like a house to make a movie in, and here we all are.
I'm sad every time he comes to and that room is on fire, and the cello - isn't it? - is in the pond. The cello shouldn't be in the pond. We should be able to bring in sack lunches and research the Devil's book forever.