Speaking of russian dolls one of the main problems with my idea of a dramatization of The Visionary Company following a sort of inspirational venereal disease (bit like La Ronde) from Wordsworth to Keats and then back again, with each slightly younger poet's death providing the second wave of impulses, is Wordsworth himself. The nested lifespans are an interesting bit of trivia but structurally they leave you trying to squeeze something out of late WW that just doesn't seem to be there, even in "An Evening of Extraoridnary Splendor and Beauty" and the more interesting Prelude revisions. Maybe the solution would be to fabricate a revival, some last poem or poetic idea, that he then turns against and destroys, explaining both why that effort never reached us and how the Romantic impulse died, at least for a time. Not the most inspiring ending to a story, though.
Having Blake serve as Lindsayan commentator - true to the book, though not to Bloom's layer ideas or any of mine - might leave room for a "vision" ending, where something about WW is reborn outside himself, the way Browning sent his younger self to heaven. Browning and Tennyson's refigurings of the Romantics as respectively Carolingian and Arthurian knights might suggest an alternative frame. Combining the two just sounds creepy, though - Blake as Merlin, oy.
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