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What but I and who but you
Remain renewing? Let's review.

Not the snakes, for snakes a skin
Is something old to shake within.

Not the phoenices, whose seas
Of fire retire when out of trees.

Not the vows, for what's vowed once
Won't stand for later vows' affronts.

Not the generations, those,
Like naked crowds they wear, are clothes.

Not the days, for days are shines
Pulsing out toward out in dotted lines.

Not the nights, which never yet
Themselves in just the same way unforget.

What but you and who but I
Cohabitate in your reply?

What can it be not you, not me?
Or we, is that what makes us three?
Who else but we could the extra vagrant be?

And yet in your eyes it's a silence I see.
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Sometimes looking out the window there's never been anyone in the world.

Others hills behind hills of multitudes staring right back.

We can only proceed assuming both.

One of many impossible thoughts proving oddly workable.
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Darks sparkle.
Suns burn.
Earths spin.
Clouds clump.
Seas pull.
Trees taper.
Birds look.
People walk.

It's not that the language of happiness is not a language.

Or that the happy don't bother to speak.

But that they like talking about other things.

Otherer others, thingier things, abouter abouts.

Rarely in this overflowing outflow some glance of attention reflects back on the happy self's self.

But when it is it's like this:

Seeing the other worker, the better worker, busy in the nicer place.

At rest surveying what's left to do.

Noticing you noticing.

Waving just once.

But with a hand moving through something thicker than air.

As quick as though moving through air only by force of decision.

A mattering wave.

Where to see how it's done is to see that it's you who's doing it.

The person that we would be's always there.

Too active to remember to attract one's own attention.
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How quickly you don't know anymore.

How suddenly no one waves back when you wave.

Seeing which something goes out of your wave.

And when you wave next they don't even look.

How suddenly it's all bartering again.

And this time you have little left.

And no one wants any of it.

You can know that this too is a show.

One more on the long strip of shows downtown.

You can have seen it before many times.

Have walked away into better as many.

But still you believe in this one.

Its darks fit those that shudder at the bottom of your night.
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The way bodies of a certain kind produce ripples in ideas they should strictly speaking never touch, strictly speaking couldn't possibly. The way as these bodies move toward, away from, near us, through our thoughts, they become wrapped in those ripples they themselves created, become centerpieces in bouquets of what they'd made reminiscent of them. Or later, met again in isolation, are themselves now reminiscent of those other things. Wake stirrings inside facts without dimension. Free motions pulling freight that can't be so.

How a body can be a way to a body and a way back to a body and all the ways that go inside a body and all the ways that body will go and somebody with it out in a world itself the same body, somehow, in some ways, though not, though surely not.

At times you want to laugh it off, start laughing it off, shake it off with laughter, feel sharp circles and curves in the shake, stop sober for nearly just shaking your whole self away.

You look at your hand at such times and it's never more transparent and never heavier.

Never shaped quite so much like a thing that a hand might hold onto.
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Put a pail on a stick
Through an eye of a brick
And then paint thick
Tight lines of a frown.

Tie a coat hanger arm
And attach as a charm
Against wishers of harm
Rusting forks hanging down.

Brace it so as to stand
Where it looks overland
And unspeaks a demand
To each passer below.

Then gelid and shaking
Resume your wan waking
Till aimless and aching
Your self lets you go.
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Take off your glasses. There - look at the tree:
Just rippled by eye-native petri motes
Each light bursts an identical bouquet,
That stamp that the observator denotes.
(In heaven it's how people sign their votes.)
The wall behind, a stable smoke of gray
At several distances, you now can see
Must be a syrup of such stampospheres
Interimposed past easy recognition.
How many symbols slip past eyes and ears
By virtue of ubiquitous position?
Though on her own toys every daughter dotes,
What is about things is what isn't ours.
Unreading us from it is what empowers.
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The longest night isn't so long.
He liked that it was a cap, a beard, a tee.
That darkness was only a skulker behind things.
But we too are only behind things.
And behind behind isn't in front.
We are a darkness.
Back behind us is what's neither dark nor bright.
Back behind us is so sad there's no non-sad to tell you what's sad.
So sad light took its cap off long ago.
And since then only holds it in its hands.
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The ceiling was the heel of a boot threatening to crush me out, never quite coming down, never taken away, holding level as though to show its implacable resolve in pursuit of this intimidation. I rolled over and saw the walls. It had friends, this ceiling. In their press to destroy they had crowded one another just enough to give me this momentary space of life. Following the wafting ghost of a hope of escape my eyes found the floor. So, closed in entirely. Devoured but not yet swallowed. I walked over to the fridge and drank the little milk provided.

In the larger chamber we gathered to shake our heads at the vast suffocating moats above and about us, and at the hard and treacherous platform below our feet, clearly a mere scaffolding rendered opaque to give the illusion of firmness - in fact a pit-pocked skin of crystal stretched over man-melting magma ten thousand miles deep.

A great rock rolled its menace overhead. Long ago it had been thrown up, and none could fail to understand it was promised to fall to Earth again. When it did who could doubt we would all be crushed. Far above, spread out as far as sight itself, unnumbered squinting glints foresaw that show.

Somberly we renewed our inevitably decaying dwellings by piling rock upon rock or scraping together more temporary but warmer structures from the grotesque growths that teemed in danker portions of our prison floor. Bits of these we sucked at in our hunger. Our scouts eventually returned with the news that time had been found and examined and would end with the dispersal of every tenth of every millionth bit of anything. Others informed us at about the same time that the prison guardians were either dead or had always been hallucinations.

We made a system of artificial vines to relay our whispers and wistful imaginings of impossible freedoms and security. A Korean man convinced us to pretend there were sufficient ponies for all. We learned to deep fry cheese. If you are patient some songs become sixty-nine cents.

I will never lick that boot in whose shadow I nightly lie. But I do not curse it either. It only does what I would in its place.
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Deep in the darkest and the strangest jungle
I found at last the first religion's temple.
It was a monkey statue formed from five
Enormous trees they twisted while alive,
Those first ones, with an anger-dripping patience,
Till leaves, wood took on beast configurations.
The roofless head was hollow, so my plane,
Set down inside, stood in for that god's brain.

I leaned out of its eyes into the dim
And took the hand of one outswinging limb
Which set me down in moss that gave like bread
Beneath me to the depth of my own head.
I left into the jungle to explore it,
But found that it was really several forests
At once: the roots of this in fact were branches
Of more beneath, emerging from vast trenches.
Climbing into one of these I found
Its own woods grew from branches further down.
Though thick with moss, these maze descents stayed passable
So that I knew I'd met the not quite possible.
The knowing was like counting out one's teeth
With one's tongue's tip but finding mostly feet.
It grew too black to find the way back out
So out was something I made do without.
The things I did there seldom stood to reason,
Mis or displaced in gaps less street than season:
I'd fight some creature till I'd understand
In horror it had always been my hand,
I married one I neither saw nor met,
Spent years on tasks that later I'd forget,
Decided I was my own eye until
I realized that a lidless eye would spill,
Which made me see that I must be a lid.
I fluttered up and down the day I did.

Tripping on the monkey's tail today
I found I'd somehow finally made my way
Back to something rooted to something else
That wasn't another thing but just itself.
The plane was made of pillows now with clocks
Embroidered on one side of each, but thoughts
Could now be thought without their taking breath
And knives to duel their opposites to death.
A tiny clear spot in an endless green,
The one loose Here in choking-dense Between,
The only view up whence I once arrived,
That avenue of forever separate lights.
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After, talking with her memories, Alice
Thought that she heard a tiny sound behind them.
Her friends and travels, clumped into a palace,
Caused so little stir you'd hardly mind them,
But this was stiller, almost (not quite) quiet.
She saw it as a door and thought she'd try it.

To think you'll try's to try, inside your head,
And Alice found herself in middle dark.
She wondered if this part of her was dead,
Which almost killed it. Then she took a spark
From those she'd found behind her eyes while sneezing
And rubbed it 'round to get a fire seizing.

Up blazed the hair of some small wretched thing.
Its eyes were large and dim. It had one hand
In place of tongue, with five thumbs, and a ring
On each. It burned but wasn't melting and
It watched her, unafraid. Its thumbs then rang
Their rings together in a song, which sang:

"I had a vision stitching here and far.
I had it now: it, this, at last was all.
But then I slept and woke and it was fall,
And nothing was the same and here we are.
What was is just a head-sized stone, that I
Might stand a little deeper in the sky."

Its feet were buried deep in moss and grass,
Beneath which Alice felt no single stone
But all the rocky world instead - her own.
It said, to reassure, "This too shall pass.
Of course, it soon will come around again.
You'd better think about what you'll do then."

She stole a ring and swallowed it and thought,
And stole a plane and flew up near the sun.
She flew in circles till she had forgot
The story of the all that fell to one.
By then she had forgot most everything,
Including not to fall down spiralling.

She plunged into the center of the sea
And there she saw the life she'd like to live,
Just like her own but with a better she,
A she who'd instantly, sans thought, forgive
The sideways blowings of her words and deeds
Across as different deeds and words than these.

Forgiving, smiling, she would simply try
Again, and through this trying persevered.
The energy required to defy
Things' mischief now was freed, and all appeared
As this life truly is, a breathing in
Of everything we mean by "to begin."

She wished to not not have this, so she didn't.
The sea became her sky. The thing was sad
To see her days so giant in the air.
It saw for her the future it had had,
That shining time, until it wasn't there,
Up stairs of which each step but one is hidden.
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We ran the woods - they resolved into trees.
Climbed the trees - they became spreading wood.
Studied the wood - that slow burn through wet carbon.
Messed among molecules - more than a hundred.
Learned about numbers - so many, so meaningless.
Talked about meaning - my blood on your handkerchief.
Stared at each other - but heads became polyps.
Compared poems and woodcuts - the best were beyond us.
Sought arts to arts - just a list list at last.
Broke into our chambering minds - thought eluded.
Put thought in our thoughts - the spoons stacked but ran over.
Chased down the shapes of expression - sans context.
Looked at behavior - glass reblown by time.
Fished in time's current - the carp were dead gold.
Followed the money - it leaked from machines.
Wandered the gears - they were slaves to the rulebook.
Riddled the rules - all the letters were smudged.
Shot shit with rabbis - but how gloss their glossings?
Asked the whole world - but its god only grinned.
Kicked at the small - to ungodly remorse.
Queried our conscience - it didn't make sense.
Babbled maze madness - it seemed repetitious.
Sung up the scale - Mozart under the staircase.
Lingered in ignorance - knew we would change.
Grew to anticipate growth - hit a limit.
Figured our eights - shook out woodsward en masse.
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The dream people returned and refused to have sex. So I began asking questions.

"Where does God go when he doesn't exist?"

They said search my life for change, buy a payphone and ask him. When I called I heard mostly nasal white noise, some crying. A few attempts at responses all trailed off in vague, high-pitched whimpers. He sneezed and all the earpiece points flared flamelets. Tiny burns on my head were my answer, they told me after. Circles, like derelict cells.

"How are why and how both why?"

They consulted together a moment and bought me a cheap finger trap. They had me put my index fingers in, put my hands on a block, chopped the trap in three with a D shaped knife. A two-nailed finger island rolled out of the middle one, pointed up and downtown. I knew this part of me would be gone if I looked in either direction, that I'd forget where the other end had pointed while looking away. This was a choice. I called God again for advice but he wouldn't exist. I looked downtown. A parade went between one building and another, both vast, just twenty feet apart. You could never see a whole float at once. Each was swamped in, surrounded by barefoot paraders. The wheels were circles of feet on sticks. All paraded because they had feet and by means of feet.

"When will time run out of me?"

They mixed for cookies in a bowl with a hole in it. A sad snake of dough found the floor. Its toe turned and spiraled as more dough came out. It went into a grate and disappeared. Four years later it popped out another near me while I watched a saddening baseball game. It was black with soot, sprinkled with white dots and bearded with nasty accretion. It wagged its tip at me in solemn warning. The nitrates in my hot dog then glowed with such malice I threw it away. Every day since which I've lived forever.
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The wish to push is not itself a push.
A knowledge when it's gained you lose all others.
And take your seat in what's just slower rain.
You feel a crackle somewhere in your cushion.
A happy magazine for troubled mothers.
You muster half a crackle of disdain.

We rain into the plain somewhere in Kansas.
Unwrecked, eject, a crowdborn crowd push fans us
Through rectangle tangles blue and grey
And nightblack where the shines push night away.
Men's room. Hate your face till all are gone.
Walk the angles till you come upon
Brushed steel pick-a-card-fan baggage claim.
Spiral up the circle into aim.
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Out sad looking in at
In bored looking out at
Out sad. You can't win it
So shut up about it.

Questions about what the fuck was that
Is all we're I forget where I was at.

But bad as the outlook is
For my life and her life and his
There's something stands up in my brain
When the wind takes a kick at the rain.
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Upon discovering my body was a time machine I began to take notes on the changing behaviors of the peoples of the different years, the more of which passed the stranger these became. Ways a group of nomads settling an empty city would never be, never dream of being are followed without question by their descendants of the fortieth generation. Itself now a city, the world's strangeness curls it tight beneath a chemical menagerie.

In my thirty-second year it was decided that there was no north. All compasses and compass roses were destroyed as bad influences. Maps and globes were dismounted, stuck to wheels, spun, remounted oriented the way they came to rest. The axes of the globes were not changed - this was not an anti-intellectual year - but they emerged from long stems bent like straws. Most looked like single-ornament mobiles.

The awkwardness of the latter led to mass burnings before I turned thirty three. That year we all walked north in protest. No one remembered which direction north was, and for a few days there was confusion. Accreted subliminal course corrections based on the behavior of others soon gathered us into larger and larger marching unisons, until all had melted into two great tribes which clashed disastrously in Brazil at nearly opposite angles.

The survivors declared individuality on my 34th birthday. North, it was decided, was within, and speaking of your conception of it to another was considered as bad an influence on your own as it was on theirs. Vibrating in the outside air as scream and symbol was unhealthy for a north. Silence about other matters became the custom as we forgot what might not entail to the north. Suspicious silence, maintained by lonely lurkers in shacks eating from cans piled up in the canning craze of my twenty-ninth autumn. Only at night did their eyes glitter with love of seven billion distinct sets of northern lights.

As the new year started and my hair fell out, a common sickly weariness settled in and a spontaneous gathering in Cape Town followed. A frowning child became our prophetess by speaking first, proposing each paint their conception of north. North no longer meant a direction, but the hidden integral truth to things, outside of which nothing could matter. Despite this conviction there were no arguments as the fingerpaintings were passed about and discussed.

One showed a hole deepening down through absolute black and past context in which bright entities half fish and half firefly half flew, half swam, slowly, never seen but suggested through a mixture of the intolerability of their not existing and subtle inequalities among different total darks.

One showed a wooden staircase falling to pieces, through the cracks and holes of which a second staircase was observed, parallel, stone. A descending fluid sheeted the inner stair, reflected in which were the great clouds that rained it, shaped like hands and arms stretched toward one another in yearning, layers on layers of them, overlapping but never touching, pink and green. The spiders on the outer stair had everything, cared nothing, least of all for the clouds they spun then kicked absently into the holes.

One showed a great crowd painting with their fingers, but each hand of fingers was stylized as hatches of four thick lines, and larger than both painting and person, and the various disparately directed fingers, focused on, formed another picture, of another set of stylized, paint-smeared fingers gesturing out toward the face of the viewer.

One showed a globe with a stack of tiny chairs emerging from a pole - identified by a barbershop helix discarded to the side. The chairs, of all types, climbed up high, through the clouds, reappeared through a gap and seemed to encircle the moon, became too far away but then back into view to end near the opposite pole, where a headless figure seated on the topmost reached up to just barely touch earth with its thumb.

Everyone agreed that all were true, however inane or impossible. Everyone except me. I painted, using the set of logical symbols then in fashion, a simple proof that a proposition and its opposite cannot both be true. This too was held to be true. I tore most of the hair from my machine in rage. They danced a happy hair-tearing dance around me, mimicking my expressions of fury but delighted.

This year we're weaving the fallen hair in with our own, all into a great, single mat of live unity. I'm sewing it to my armpits in protest. I am no longer fashionable so the gesture will not be imitated, but my hope is that the scorn will be noted, will weave itself in with the stuff of the next.
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What is there to say?
To say what is there.
There is Pete.
Pete has mountains.
He found they're all on casters.
He pushes them to the poles.
Pete is young and a dream.
There is Matilda.
Matilda is a girl so comes second.
Matilda broke her fingertips on mountains.
She disbelieves in Pete.
She thinks of a face that's closed like an eye.
She matches shadows wherever they're found.
She is satisfied every night.
She closes her eyes to check the model and nods.
Her world is a luminous foam in a dark sea.
A tiny foam going away.
An infinite sea going nowhere.
She nods.
There is Kim.
A man because we needed a man again.
Maybe a different race this time.
Anyway.
Kim saw the foam and went into the foam.
Looking out the sky is illuminated.
All the infinite sea is blue most of the time.
He's proud of having gone into the foam.
He's looking for other foams to go into.
Look at today, he indicates.
Look at the hours of today in the shapes of what's by.
You see them as things but they're hours that linger in shapes.
This is the other foam to step into.
You do it each second but you is a lingerer too.
To benefit you must step straight out of you.
Kim takes long walks.
Kim is unsure he'll succeed.
He's unsure he'd remember the step if he did.
Kim may find something new in denying the old of the old.
Goodbye Kim.
Here am I.
Looks like I'm a woman.
I took a few walks in my time.
Into foam out of foam when on beaches.
There are beaches if you pass a lot of grass.
There is a lot of grass if you leave the city.
If you leave the city there is a tree you can climb.
At the top is a message you wrote with a knife long ago.
Not a message to you but it's just you that reads it.
It says.
This was my perfect day.
I don't care if I die or live terrible days.
This still was my perfect day.
And tomorrow I'll look for another.
And if I find one I'll climb some other tree with this or another knife.
And write.
This was my perfect day.
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How used to it we get,
As though we'd always been here,
As though they had to let
Our sort of something in here.

How lucky we all are,
But not the kind of lucky
That's sponsored by a star
Or numbers gone all fucky.

You tell me it couldn't have gone
Any way but the way it went.
A thought that the more I think upon
I don't think different.
If unstrange what we've done since dawn
It's strange there was a tent.

It's strange that there's a strange,
Strange too the is, the it,
Strange that they both can change,
And that both of them don't, a bit.

And as for going out,
That answering Albeit
To our all-being shout,
It's strange that we can't see it.

We make a sort of cone
Of words that lead unto it.
But it persists alone,
Capped out where none can view it.

But though our words all fail
I think perhaps they're meant to,
As though we made a trail
To lose the thoughts that tend to
That outward. We prevail
When inward things are bent to.

But there we don't prevail,
Since there we're not what's prevalant.
Vague bird, from out-shell quail
And dream your life's benevolent.

We call the whole thing life,
This course and all its contents,
A plea to some authority
That life not be minority,
That live, dead be not knifed
As stark as sense from nonsense.

There is a plan within life,
If none within the other.
But bringing-things that bring life
Are mothers to another,
Not us - it's yet to come,
The daughter-father-brother,
Prince-progeny or king-wife
They want. We're whom it's from.

Be careful not to care
Too much for the cathedral.
They say we'll have a share,
A seat if only we'd re-
Ly upon their word,
Work right, not think, be docile.
And yet I've never heard
Of any turned apostle
That aged to out from older
They didn't just let moulder.

We mortar with these martyrs,
From sod that's mixed with sinners.
But none call us half-hearters
While still we earn our dinners.
It's often easy work and fairly gay,
But know to know the promise from the pay.

I think we know the score.
We know the many places
That we're not at today.
We know the many faces
We can't move from behind.
A kind of parabasis
Has already occurred.
It's only one place more
Will lose us. We will find
One less face speak our word.
We'll be in one less way.

Our luck is that we're us at all.
It's luck because we're just a fall
In our direction, till we're not.
Fall direction's what we've got,
And falling's what we know of joy,
If also pain, doubt, fear, annoy,
But nothing else can feel even these
But us, the people, the creatures and trees,
And not in any future birth
Will you be anybody on any earth
But you that you're now in these feet that you fit
With this past that you're pressed by and all this shit
That you're falling through in your forward fall
Till you unbraid away or stop flat at a wall
Or however it ends. This is you, this is now,
And if there'll be others it's hard to see how.
Dim your sense of the ways you'd be different if only,
Forget how you're listless, belittled and lonely,
See how immense and insane and particular,
Textured and visible, fragrant, auricular,
Blended, descended, retentive, tormentive,
Powerful, towerful, TV's Matt Lauer-ful,
Butter-fried, what-if-I'd, Greater Calcutta-fied,
Rangeable, changeable, People Are Strange-able
All of this youness and newness imbues us,
All of this sameness and plainness constrains us,
All of these everythings, each of these nothings,
All the I-don't-know-just-what-but-it's-a-things
Are. Take a look. Take a second, a breath.
Take a few billion more and forget about death.
It forgets about us, after all, when it's done.
You can say in the end it remembers, but hon,
You could say just as well that we're all it's forgot,
That it's this that's the reason we are and aren't not.
But it's better to say, and to know, 'cause it's true,
That the only rememberer going is you,
Any you, but you too, and we only forget,
And we only can care about credit card debt,
For only for us, here and now (so don't stall),
Is happiness possible, ever, at all.
proximoception: (Default)
(Readin' Stevens - rhyming, I'm announcing how sing shouldna sung.
Even he went from his promise when he many woodens rung.)


All us Stephens
(Wall o' Stephens!)
Devious'll always be -

Evening swallows
Thieving, hollow
Swine like us by half past 3 -

Yet while kicking
Dustclouds thick in
Chicken yards and up a tree,

In this sunshine
(Finish unshined
Though we will) we will us free.

How deleted this will be
When I wake half past the other three.
proximoception: (Default)
Our meetings had been awkward and aloof:
I saw what he was doing, but not why.
Just once he waved me out onto the roof,
Led me so close to the edge that how I'd die
If such or so should happen was my one
Preoccupation as his fingers swirled
Before and above the roofworks of the world,
Explaining what they meant and which he'd done.

A point comes when your water level rises,
That share of air too thick to move around in,
However easily others do. This crisis
Hit me like night. The dawntime found me pounding
Nails into beams beside his ghost above,
Low in the sky such work makes attics of.

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