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Halfway through Crowley's The Translator, at a section where there's lots of Russian words and phrases dropped, and the language is flooding back into my memory from shelves and forest shadows. What I'm finding is that all the words I can't remember are replaced by French, which I've dabbled with since. Seriously, they're written right over the Russian words, and not just for cognates. What a strange phenomenon, like my mind has a single English to Foreign dictionary. With a lot of blind spots, I'm basically thinking trilingually, in an Ada-esque grotesquerie. Thankfully Latin is long gone.

Great book by the way. Very Crowley, but successfully invades what you'd think of as Roth territory, nostalgia and Eastern Europe. Unwrapping all kinds of packets of both inside me as well.

I need to pick up Resurrection again. And The Idiot. And reread Akhmatova.

The volume of Elizabeth Bishop fragments and discards has been pushed to February, looks like. There's a new Joseph and His Brothers translation out. I like Lowe-Porter but the new guy's a clearer and faster read, probably indispensable for a book so long and dense.

I'm officially engaged.

Date: 2005-06-09 04:15 pm (UTC)
From: [identity profile] proximoception.livejournal.com
Thanks man, and congratulations on your own leap, what an astonishing moment/day of coming into your own! Read that HD then clone yourself and save the young, Crowley will come by and by.

I'm reading Carson too, the earlier pieces. The opacities are maddening but she's so much the real thing that you wonder whether anyone else is.

Date: 2005-06-09 10:12 pm (UTC)
From: [identity profile] princenarcissus.livejournal.com
I completely agree with you on Anne Carson. It really is quite staggering to realize how poorly other living poets fare in comparison. And her translation of Sappho, indebted as it is to Guy Davenport (who, like everyone from Harold Bloom to Susan Sontag, showered Carson with nothing but praise) is absolutely unrivalled, in my opinion. Currently reading the classic philosophy and romantic phantasmagoria comprising her Eros, Bittersweet . . . has ancient Greek etymology ever been so scintillating?

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