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[personal profile] proximoception
Thinking about movies I should revisit - ones I disliked or underliked but was maybe wrong to.

I'm not rewatching Virgin Spring, Throne of Blood or Herzog's Nosferatu, as those are confirmed dislikes. Two strikes is out in a 70 year lifespan even for the big guys.

But these I never saw again:

Hour of the Wolf
The Bad Sleep Well
Inland Empire
The New World
The Bride Wore Black
Breathless
Notorious
Mirror
The Searchers
Eternal Sunshine of the Spotless Mind
Barry Lyndon
Spirit of the Beehive
The Fly

Again, didn't find all of these merit-free, in most cases quite the contrary, but I at least didn't entirely understand what the smitten were seeing.

And they weren't like Black Swan and There Will Be Blood where the dislike felt ... thorough, eternal. Where any wrongness on my end is likely undislodgeable.

I wonder if I could give O Brother Where Art Thou a second chance, even. Romney liked it. Or Across the Universe? Ech, probably not.

What would you put in the "I suspect I was missing something" category?

Date: 2014-01-02 10:45 am (UTC)
From: [identity profile] grashupfer.livejournal.com
I've argued with several people about Slumdog. I just don't get it.

Date: 2014-01-02 05:16 pm (UTC)
From: [identity profile] proximoception.livejournal.com
I feel like I know where the praise is coming from, with that one - the kind of person who would love it, why they'd be that way. Most Best Picture nominees hit where they were aiming.

People mostly respond well to great art but mostly don't know why. Leaving them vulnerable to two ignoble reliefs: less great art where they do know why they like it, not at all great art that's hard to understand but signals that it's great. The latter's a relief because there's no real challenge, and I suspect people sense that, are grateful - we all get to pretend we've experienced the good, grown up experience and can move on.

I worry most about the latter because it can look so much like what it's dangerous to miss: great art someone where I don't yet see the great. Which troubles not just because there's only so much great anything in life, but that what makes you miss one thing may make you miss swathes of life.

Date: 2014-01-03 04:08 am (UTC)
From: [identity profile] tdaschel.livejournal.com
O Brother felt - for me - like minor Coen Bros. what is my stick for measuring? A SERIOUS MAN.

my personal admiration for Eternal Sunshine comes by way of .. Philip K. Dick : the film is based on no known work of his, but manages to capture something *vital* missing from official PKD adaptations. M/F bickering, i mean. guy was married five times / it plays a role. the other great Phildickian film, though, is A SERIOUS MAN. phone calls from irate record club reps about sound recordings that haven't been recorded yet? yeah, exactly !

Date: 2014-01-03 04:40 am (UTC)
From: [identity profile] proximoception.livejournal.com
Yeah, I usually avoid these sorts of rewatchings because I just end up feeling the same bad way all over. Whereas with something sufficiently good you'll have a different set of feelings because you probably missed some good things while letting admiration linger on others that first time - as I'm sure I did with A Serious Man. Some paradox where what you're most familiar with gives you the most news.

I just sometimes get these moods where I feel I'm missing things. But everything I come near I think no, not that one, that I get.

Date: 2014-01-03 04:52 am (UTC)
From: [identity profile] tdaschel.livejournal.com
i see, i see.

on permanent Lent, i gave up getting things, oh, who knows when?

the soil it is turned, the light catches "just so" / somewhat the same, but different too !

the BLUE GUITAR goes with me:

There are no shadows anywhere.

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